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The different versions have different individually detailed endings (in some Scheherazade asks for a pardon, in some the king sees their children and decides not to execute his wife, in some other things happen that make the king distracted) but they all end with the king giving his wife a pardon and sparing her life. Sometimes a character in Scheherazade's tale will begin telling other characters a story of his own, and that story may have another one told within it, resulting in a richly layered narrative texture. Numerous stories depict djinn, magicians, and legendary places, which are often intermingled with real people and geography, not always rationally common protagonists include the historical caliph Harun al-Rashid, his vizier, Ja'far al-Barmaki, and his alleged court poet Abu Nuwas, despite the fact that these figures lived some 200 years after the fall of the Sassanid Empire in which the frame tale of Scheherazade is set. The tales vary widely: they include historical tales, love stories, tragedies, comedies, poems, burlesques and various forms of erotica. The next night, as soon as she finishes the tale, she begins (and only begins) a new one, and the king, eager to hear the conclusion, postpones her execution once again. The king is thus forced to postpone her execution in order to hear the conclusion. On the night of their marriage, A manuscript of the One Thousand and One Nights Scheherazade begins to tell the king a tale, but does not end it. Scheherazade, the vizier's daughter, offers herself as the next bride and her father reluctantly agrees. Eventually the vizier, whose duty it is to provide them, cannot find any more virgins.
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The king, Shahryar, begins to marry a succession of virgins only to execute each one the next morning, before she has a chance to dishonour him. He is shocked to discover that his brother's wife is unfaithful discovering his own wife's infidelity has been even more flagrant, he has her executed: but in his bitterness and grief decides that all women are the same.
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Synopsis The main frame story concerns a Persian king and his new bride. Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by Antoine Galland and other European translators. Some editions contain only a few hundred nights, while others include 1,001 or more. The stories proceed from this original tale some are framed within other tales, while others begin and end of their own accord. What is common throughout all the editions of the Nights is the initial frame story of the ruler Shahryar (from Persian: رايرهش, meaning "king" or "sovereign") and his wife Scheherazade (from Persian: هدازرهش, possibly meaning "of noble lineage" ) and the framing device incorporated throughout the tales themselves. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century. A Thousand Tales) which in turn relied partly on Indian elements. In particular, many tales were originally folk stories from the Caliphate era, while others, especially Queen Scheherazade tells her stories the frame story, are most probably drawn from the Pahlavi Persian work Hezār to King Shahryār. The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. The work as we have it was collected over many centuries by various authors, translators and scholars across the Middle East and North Africa. It is often known in English as the Arabian Nights, from the first English language edition (1706), which rendered the title as The Arabian Nights' Entertainment. Overview One Thousand and One Nights One Thousand and One Nights (Arabic: ةليلو ةليل فلأ باتك Kitāb 'alf layla wa-layla Persian: بش کی و رازهHezār-o yek šab) is a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. References Article Sources and Contributors
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